Tag Archives: Eliza R. Snow

The Ashtabula Horror

The train known as the Pacific Express (No. 5, Lake Shore and Michigan Southern Railway) pulled out of Erie, Pennsylvania on the afternoon of December 29, 1876, headed toward Chicago. Two locomotives, christened “Socrates” and “Columbia,” towed its two passenger cars, three sleeper cars, two baggage cars, two express wagons, a smoker, and the caboose.

The Pacific Express reached Ashtabula, Ohio, early on that snowy evening. When it pulled out of the Ashtabula station, 159 passengers and crew members were aboard.

The train had gone only about 100 yards from the station when, at 7:28 p.m., it reached the iron bridge over the Ashtabula River. “Socrates” had just crossed the bridge when bystanders and passengers heard a terrible cracking sound. The bridge collapsed, and “Columbia,” with all eleven following cars, plunged 70 feet into the river. Within moments, the train cars – all built of wood – were set afire by the kerosene heaters and lamps in use aboard. Would-be rescuers rushed to the ravine, but could only stand at the edge gazing in horror at the inferno in the water below.

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The Loveliest Missionary Tract Ever Published

In 1909, after months of preparation, Ben E. Rich of the Eastern States Mission (with headquarters at New York) and German E. Ellsworth of the Northern States Mission (with headquarters at Chicago), jointly published a tract to be used as a missionary tool.

The 24-page (8×12) brochure wasn’t especially exciting on its face — this stiff brown cover, tied with string and announcing the hymn “O, My Father,” is what greeted readers. It was also expensive, costing nearly a dollar to produce in contrast to the usual 2- or 3-cent cost of normal missionary tracts, and so could not be widely and indiscriminately distributed. Instead, it was offered for sale and was given to civic and social leaders and others whose good opinion the missionaries especially sought.

So what was so special about it?

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From Our Exchanges: Howard S. Swan, “The Music of the Mormons, 1830-1865”

Howard S. Swan, “The Music of the Mormons, 1830-1865,” The Huntington Library Quarterly, v. 12, no. 3 (May 1949), 223-252.

Howard S. Swan (1906-1995), “Dean of American Choral Music,” as one 1995 obituary called him, was the choir director at Occidental College in Los Angeles for nearly 40 years. After his “retirement,” he went on to teach at Fullerton and Irvine. A prize in his name is awarded annually to a retired California music teacher who typifies Swan’s artistry, personality, humanitarian spirit, and continuing dedication to music after the end of a formal career. Tragically, Swan himself could not sing during much of his adult life, suffering from a paralyzed vocal chord.

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From our exchanges: Murder Ballads of Mormondom

Olive Woolley Burt, “Murder Ballads of Mormondom,” Western Folklore 18:2 (April 1959), 141-156.

Olive Woolley Burt (1894-1981) used to be a very well-known name in Mormon, Utah, western, and American letters. She was a reporter or columnist both for the Salt Lake Tribune and the Deseret News, studied at the University of Chicago and at Columbia, published fiction and non-fiction, for children and adults (from 1902, when she was just 8 years old, to 1979, when she was 85, she published something professionally every year except 1904), and contributed to church publications, like the Relief Society Magazine. Her book American Murder Ballads and Their Stories (New York: Oxford University Press, 1958) is the basis for this article.
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